’360′ is an overload of flatness from Meirelles and Morgan
360 Written by Peter Morgan Directed by Fernando Meirelles UK/Austria/France/Brazil, 2011
360’s writer Peter Morgan has declared that the film is directly inspired by Reigen, an 1897 play notably adapted to film by Max Ophüls as La ronde in 1950. The title of Morgan’s work, directed by Fernando Meirelles, derives from the 360 degrees of a circle, and the film notably begins and ends with the exact same scenario; things are destined to repeat themselves. La ronde and 360 are both portmanteau films, which have become especially popular in the last decade thanks to directors like Alejandro González Iñárritu with Babel and Amores perros, and the commercial and awards success of Paul Haggis’ Crash. While these films – that either examine a particular city or country, or take place at various locations around the planet – at least attempted to reflect on specific social anxieties that acted as recurring themes, 360 seem to draw entirely from these types of inter-connected films themselves.